Perri’s recent collaboration with her two-year-old son seeks to exchange embodied experiences through multisensory play. The conceptual premise of this investigative practice is precision as achieved through automation. It attempts to limit human touch and its deteriorating effect on paper. The child introduces an air of unpredictability to the working process, disrupting a fastidious practice-based methodology formulated over years. By encouraging audience interaction with the resulting artworks through play, the intention is to redefine our sensorial connection of touch in a technological age that often denies embodied engagement.